New York, NY (December 8, 2009) – From fury to folly, overwhelming enthusiasm to complete rage – madness is a term used to describe an extreme state or extreme journey, which tends to leave the participant altered, sometimes forever. In an era of political corruption, fast paced technology, and what some may argue as a cultural renaissance, madness is sometimes the term that fits best to describe the state we’re living in today. It is the madness that speaks to our generation, and The Madness (Onye-Ala) that Nneka and J.Period present to the world on December 15, 2009. Utilizing J.Period’s unique documentary-style approach to the mixtape, The Madness (Onye-Ala) is a collection of new and remixed tracks from Nneka, the Nigerian born singer/songwriter who is quickly making her stamp on the US.
Featuring guest appearances from heavyweights of all kinds, The Madness (Onye-Ala) includes exclusive new tracks from M-1 (Dead Prez), Jay Electronica, Zumbi (Zion I), Rakaa (Dilated Peoples), Aceyalone (Freestyle Fellowship), General Steele (Boot Camp Clik) & Talib Kweli.
“What struck me most about Nneka’s music is that her story is so present in every song,” says J.Period, “The spirit and struggle of her roots in Africa, a sense of responsibility inherited from Fela, conflict and perspective gained living abroad in Germany. Her music is a contagious combination of genres and styles that just pulled me in right away. Artists who refuse to be confined to one genre are often considered crazy. Artists who follow their conscience are considered crazy. This is that brand of crazy: The Madness (Onye-Ala).”
A seasoned performer, songwriter and winner of the 2009 MOBO Award, Nneka presents The Madness (Onye-Ala) as an introduction to her first US album, Concrete Jungle in stores February 2, 2010 on Yo Mama/Decon/Epic. The album is collection of tracks detailing her personal experience growing up in Nigeria, the corruption and beauty found there and the universal themes of love, growth, and seeking the ultimate truths. The Madness (Onye-Ala) is a peek into the life and sounds of Nneka, as well as a tribute to the influence Hip Hop has had on her music.
Fresh off a featured role in the blockbuster video game, DJ Hero, J.Period presents The Madness (Onye-Ala) as the next chapter in a long line of game-changing mixtapes presented in his unique, storybook style. The acclaimed DJ, Producer & Mixtape King has redefined the mixtape genre with collaborations with the likes of Mary J. Blige, Kanye West, Lauryn Hill, Q-Tip, Talib Kweli, The Roots, Nas, Big Daddy Kane, and others. J.Perid’s most recent work, “The Messengers” (a collection of Fela Kuti, Bob Marley and Bob Dylan remixes featuring K’NAAN), has yielded over 150,000 downloads since its release in September 2009.
The Madness (Onye-Ala) now available at here
NOTE: Nneka will be on tour in the US in February, 2010 in support of The Madness (Onye-Ala) & Concrete Jungle releases.
Find out more online: Nneka – www.myspace.com/nnekaworld owww.jperiod.com
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About Freedom Verse Cafe
Freedom Verse Café (FVC) was created as a venue for spoken word artist in the winter of 2008 from a previous venue called "Mic Check" which began its broadcast in June of 2007. Since this venue's inception, it has gone through evolutionary processes to better accomplish its premise of promoting the art of spoken-word poetry and the artists who perform it in a major capacity, but we have also expanded to blending poetry with jazz and soul to create the ultimate experience of spoken word/poetry.
Freedom Verse is geared to promote the artists—who hit the stages, spoken-word venues, and publish their works anywhere that they can—while entertaining and educating listeners all over the world. In FVC we focus on imparting those who audience the genre of spoken-word poetry to its history, disciplines, and its potential impact on mainstream culture. This venue hopes to touch its patrons mentally and spiritually. In this we learn to appreciate the creativity, relevancy, and intentions of the artists.
FVC promotes using online broadcasting and digital downloads of mix-tapes that focuses on providing a positive form of entertainment and educational programming in poetry, jazz, and soul of artist who are destined to change the world.
1st & 3rd Saturdays of each month at 2pm EST/1pm CST
If you have any of the following:
Comments| Air Drops | Venue Announcements | Shout outs
Please call (206)338-1187 and leave a message and we'll get it on the air for FREE!
~Live Chat and Call-in Line!~ reaching more than 490,000 listeners globally, with listeners from S. Africa to Vladivostok, Russia and all across the United States to Europe.
Are a compilation of Spoken word poetry, jazz, and soul blended for the ultimate listening experience. These mixtapes are free to download and are designed to promote the artists who make it possible to provide positive music in a less positive industry. So please support the featured artists by purchasing their work and stopping by their pages and showing some love.
click image to download
also available on
Let's Talk Spoken Word | Abiodun Oyewole (The Last Poets)
Komplex | MahogonyDiva | Sekou (Tha Misfit)
Taalam Acey | Maximus Parthas | Queen Sheba
Autum Ashante | Kamal Imani | Abyss One Truth
S. Pearl Sharp | Future | Ngoma | Chenyelu Bomani
...and many others here
Freedom Verse is geared to promote the artists—who hit the stages, spoken-word venues, and publish their works anywhere that they can—while entertaining and educating listeners all over the world. In FVC we focus on imparting those who audience the genre of spoken-word poetry to its history, disciplines, and its potential impact on mainstream culture. This venue hopes to touch its patrons mentally and spiritually. In this we learn to appreciate the creativity, relevancy, and intentions of the artists.
FVC promotes using online broadcasting and digital downloads of mix-tapes that focuses on providing a positive form of entertainment and educational programming in poetry, jazz, and soul of artist who are destined to change the world.
Show Schedule
1st & 3rd Saturdays of each month at 2pm EST/1pm CST
If you have any of the following:
Comments| Air Drops | Venue Announcements | Shout outs
Please call (206)338-1187 and leave a message and we'll get it on the air for FREE!
Freedom Verse Cafe MixTapes Edition
Are a compilation of Spoken word poetry, jazz, and soul blended for the ultimate listening experience. These mixtapes are free to download and are designed to promote the artists who make it possible to provide positive music in a less positive industry. So please support the featured artists by purchasing their work and stopping by their pages and showing some love.
click image to download
also available on
Interviews
Let's Talk Spoken Word | Abiodun Oyewole (The Last Poets)
Komplex | MahogonyDiva | Sekou (Tha Misfit)
Taalam Acey | Maximus Parthas | Queen Sheba
Autum Ashante | Kamal Imani | Abyss One Truth
S. Pearl Sharp | Future | Ngoma | Chenyelu Bomani
...and many others here
What is Spoken Word?
Spoken Word poetry is a very newly revived form of poetry that has been around since the 90’s. Spoken word is a transformation from an art that began deep in the heart of what was known as the beat poet era of the ‘40s and ‘60s. These were poets who challenged mainstream politics and culture to incite mental revolutions against what I would dub as “idle conformity or assimilation” by government rule; speaking out against oppression, racism, and war. In most cases this was the only form of thought expression albeit a dangerous one regardless of the first amendment that is designed to protect all of our citizens. Spoken word as a genre has always been seen as non-musical selections like famous speeches and orations, but never as a poetic art deserving of it's on section. Even today this still is the case when you walk into a record shop or shop on iTunes you won’t find a legitimate genre for this beautiful and ageless art form. Poets today are working diligently and hard to change this mindset.
Today, Spoken Word poetry is a very general category of poetry that is meant to be both performed and to make a powerful statement. Unlike some of the Beat poets who focused mostly on the corruption of government, economic and social status, and world awareness, Spoken Word has taken a major turn which some like myself observe with a watchful eye. Spoken word has gone from just being a revolting art, but has become more interested in voicing the thoughts of love, life and still that resounding need for revolutionary thought.
All Spoken Word poetry is meant to be read aloud, but not all poetry that is read aloud is Spoken Word. Spoken word has a select few elements that are best known for identifying its class of poetry. I like to call this technique “R3” for Rhythm, Repetition, and Rhyme; these are key element that the artist generally focuses on when performing this style of poetry also called performance poetry.
This is an important part about spoken word poetry, as I often see this as a common mistake amongst new poets who don’t study the art or its history and are elated to lay their vocals down on a nice melodic track and will dub it “Spoken Word”; spoken word poetry is sometimes performed with music, and sometimes without music. If a poet uses background music, it is only to enhance or compliment the poetry and to add a rhythm. The poetry itself is center stage and not the music, this is the case in any good piece of work.
host and producer of Freedom Verse Cafe
Tshombe (the Poet)
Today, Spoken Word poetry is a very general category of poetry that is meant to be both performed and to make a powerful statement. Unlike some of the Beat poets who focused mostly on the corruption of government, economic and social status, and world awareness, Spoken Word has taken a major turn which some like myself observe with a watchful eye. Spoken word has gone from just being a revolting art, but has become more interested in voicing the thoughts of love, life and still that resounding need for revolutionary thought.
All Spoken Word poetry is meant to be read aloud, but not all poetry that is read aloud is Spoken Word. Spoken word has a select few elements that are best known for identifying its class of poetry. I like to call this technique “R3” for Rhythm, Repetition, and Rhyme; these are key element that the artist generally focuses on when performing this style of poetry also called performance poetry.
This is an important part about spoken word poetry, as I often see this as a common mistake amongst new poets who don’t study the art or its history and are elated to lay their vocals down on a nice melodic track and will dub it “Spoken Word”; spoken word poetry is sometimes performed with music, and sometimes without music. If a poet uses background music, it is only to enhance or compliment the poetry and to add a rhythm. The poetry itself is center stage and not the music, this is the case in any good piece of work.
host and producer of Freedom Verse Cafe
Tshombe (the Poet)
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