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New York, NY (August 18, 2009) – Some artists are defined by their environment. Some redefine their environment. Still others push the boundaries of convention so fully that their influence is felt around the globe, and across generations. Their music compels us not only to dance but to think, not only to celebrate but to strive, not only to listen but to truly hear. Fela Kuti, Nigeria’s eminent musical activist; Bob Marley, Jamaica’s emissary of struggle and unity; and Bob Dylan, America’s reluctant Civil Rights song leader, are three such artists.
These are “The Messengers.”
Today, August 18, 2009, acclaimed DJ/Producer, J.Period, and rising Somali-born MC, K’NAAN, are pleased to announce a unique and powerful remix project, paying tribute to the lasting legacy of these musical giants. Weaving afro-beat, reggae, ska, folk music and rock into this genre-bending musical experience, The Messengers stretches the boundaries of hip hop—and the mixtape genre itself. Remixing the classic work of Fela, Marley and Dylan, The Messengers captures the timelessness of their sounds and the continued urgency of their messages. The result, as fans have come to expect from J.Period, is like no mixtape you’ve ever heard.
The Messengers arrives on the heels of K'NAAN's sophomore release, Troubadour (A&M/Octone Records), released January 2009. Having already made a powerful mark with his breakthrough debut, K’NAAN’s Troubadour debuted at #32 on Billboard’s Top 200, continuing his rapid rise on the world stage. Filled with eloquent and thought-provoking lyrics in the tradition of great folk singers and protest songs, the album also features all-star collaborations with Damian Marley, Mos Def, Kirk Hammett (Metallica), Adam Levine & James Valentine (Maroon 5) and Chubb Rock.
With a track record for game-changing remix projects (his recent collaboration with Q-Tip yielded over 600,000 downloads), J.Period’s ever-expanding highlight reel boasts remixes for heavyweights from Mary J. Bilge to The Roots to Kanye West, as well as original production for blockbuster films and video games. Commissioned by labels, artists and lifestyle brands for his groundbreaking promo campaigns, J.Period has not only elevated the mixtape to an art form, but consistently proved its viability as a potent promotional tool. Each release raises the bar, and with The Messengers, J.Period proves that his musical ear and signature documentary style are at home in any genre
K’NAAN’s compelling personal story (raised in war-torn Mogadishu, descendant of famed Somali singers and poets) has also fueled his international appeal: bridging styles and audiences; re-invigorating hip hop’s global influence; and altering perception of his homeland, Somalia (recently hailed as the world’s “Most Dangerous Destination” by Forbes Magazine). In hip hop, where MCs wear bullet wounds like badges of honor, few have actually lived through war, and even fewer emerged with a message of peace. K’NAAN has, making his lyrics on “The Messengers” not just a tribute to Fela, Marley and Dylan, but a testament to the transformative power of music itself.
"This project is really special to me,” says K’NAAN, “Not the product of ego but of passion. Far from a marketing tool, it is an honest musical offering. Nothing gives a better window into the root and concept of my own sound than The Messengers"
“A lot of people say hip hop is in a stagnant place, but I see few actually doing something about it,” says J.Period. “I love the The Messengers because the concept is completely unique, but still true to the original spirit of hip hop: combining the best elements from everywhere to create something fresh, to make a new statement. Fela, Marley and Dylan proved that when great music meets a powerful message, the result lives forever. I hope K’NAAN and I have done their legacies justice with this project.”
After an Invitation-Only Launch Party in Toronto (K’NAAN’s current home) on August 15, The Messengers will be released in 5 parts over the course of 5 weeks, beginning with the first installment—a 3-song digital EP featuring one Fela remix, one Marley, and one Dylan—on Tuesday, August 18. Following the EP release, J.Period & K’NAAN will pay tribute to each of “The Messengers” individually with a new release every Tuesday in September, beginning with a tribute to Fela Kuti (September 1), Bob Marley (September 8), Bob Dylan (September 15), and culminating in the release of The Messengers in its entirety (including additional bonus tracks and artwork) on September 22.
Each digital release will also be accompanied by an exclusive illustration by graphic artist, Fuse Green (http://www.fusegreen.com), the tremendous talent behind J.Period’s iconic cover art (Q-Tip, Lauryn Hill, The Roots, Game Rebellion)
The Messengers boasts a lineup of talented guest artists from around the globe: New York’s M1 (Dead Prez), Toronto’s Kardinal Offishall, Sierra Leone's rising talent Bajah + Dry Eye Crew (http://planetbajah.com), Brooklyn’s Steele (Smif’N’Wessun), Oakland’s Zumbi (Zion I), Game Rebellion front man Netic the Rebel, bassist Brian Satz, talented producer DJ Preservation, and mixer/engineer, Alex Moulton (www.expansionteam.org).
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About Freedom Verse Cafe
Freedom Verse Café (FVC) was created as a venue for spoken word artist in the winter of 2008 from a previous venue called "Mic Check" which began its broadcast in June of 2007. Since this venue's inception, it has gone through evolutionary processes to better accomplish its premise of promoting the art of spoken-word poetry and the artists who perform it in a major capacity, but we have also expanded to blending poetry with jazz and soul to create the ultimate experience of spoken word/poetry.
Freedom Verse is geared to promote the artists—who hit the stages, spoken-word venues, and publish their works anywhere that they can—while entertaining and educating listeners all over the world. In FVC we focus on imparting those who audience the genre of spoken-word poetry to its history, disciplines, and its potential impact on mainstream culture. This venue hopes to touch its patrons mentally and spiritually. In this we learn to appreciate the creativity, relevancy, and intentions of the artists.
FVC promotes using online broadcasting and digital downloads of mix-tapes that focuses on providing a positive form of entertainment and educational programming in poetry, jazz, and soul of artist who are destined to change the world.
1st & 3rd Saturdays of each month at 2pm EST/1pm CST
If you have any of the following:
Comments| Air Drops | Venue Announcements | Shout outs
Please call (206)338-1187 and leave a message and we'll get it on the air for FREE!
~Live Chat and Call-in Line!~ reaching more than 490,000 listeners globally, with listeners from S. Africa to Vladivostok, Russia and all across the United States to Europe.
Are a compilation of Spoken word poetry, jazz, and soul blended for the ultimate listening experience. These mixtapes are free to download and are designed to promote the artists who make it possible to provide positive music in a less positive industry. So please support the featured artists by purchasing their work and stopping by their pages and showing some love.
click image to download
also available on
Let's Talk Spoken Word | Abiodun Oyewole (The Last Poets)
Komplex | MahogonyDiva | Sekou (Tha Misfit)
Taalam Acey | Maximus Parthas | Queen Sheba
Autum Ashante | Kamal Imani | Abyss One Truth
S. Pearl Sharp | Future | Ngoma | Chenyelu Bomani
...and many others here
Freedom Verse is geared to promote the artists—who hit the stages, spoken-word venues, and publish their works anywhere that they can—while entertaining and educating listeners all over the world. In FVC we focus on imparting those who audience the genre of spoken-word poetry to its history, disciplines, and its potential impact on mainstream culture. This venue hopes to touch its patrons mentally and spiritually. In this we learn to appreciate the creativity, relevancy, and intentions of the artists.
FVC promotes using online broadcasting and digital downloads of mix-tapes that focuses on providing a positive form of entertainment and educational programming in poetry, jazz, and soul of artist who are destined to change the world.
Show Schedule
1st & 3rd Saturdays of each month at 2pm EST/1pm CST
If you have any of the following:
Comments| Air Drops | Venue Announcements | Shout outs
Please call (206)338-1187 and leave a message and we'll get it on the air for FREE!
Freedom Verse Cafe MixTapes Edition
Are a compilation of Spoken word poetry, jazz, and soul blended for the ultimate listening experience. These mixtapes are free to download and are designed to promote the artists who make it possible to provide positive music in a less positive industry. So please support the featured artists by purchasing their work and stopping by their pages and showing some love.
click image to download
also available on
Interviews
Let's Talk Spoken Word | Abiodun Oyewole (The Last Poets)
Komplex | MahogonyDiva | Sekou (Tha Misfit)
Taalam Acey | Maximus Parthas | Queen Sheba
Autum Ashante | Kamal Imani | Abyss One Truth
S. Pearl Sharp | Future | Ngoma | Chenyelu Bomani
...and many others here
What is Spoken Word?
Spoken Word poetry is a very newly revived form of poetry that has been around since the 90’s. Spoken word is a transformation from an art that began deep in the heart of what was known as the beat poet era of the ‘40s and ‘60s. These were poets who challenged mainstream politics and culture to incite mental revolutions against what I would dub as “idle conformity or assimilation” by government rule; speaking out against oppression, racism, and war. In most cases this was the only form of thought expression albeit a dangerous one regardless of the first amendment that is designed to protect all of our citizens. Spoken word as a genre has always been seen as non-musical selections like famous speeches and orations, but never as a poetic art deserving of it's on section. Even today this still is the case when you walk into a record shop or shop on iTunes you won’t find a legitimate genre for this beautiful and ageless art form. Poets today are working diligently and hard to change this mindset.
Today, Spoken Word poetry is a very general category of poetry that is meant to be both performed and to make a powerful statement. Unlike some of the Beat poets who focused mostly on the corruption of government, economic and social status, and world awareness, Spoken Word has taken a major turn which some like myself observe with a watchful eye. Spoken word has gone from just being a revolting art, but has become more interested in voicing the thoughts of love, life and still that resounding need for revolutionary thought.
All Spoken Word poetry is meant to be read aloud, but not all poetry that is read aloud is Spoken Word. Spoken word has a select few elements that are best known for identifying its class of poetry. I like to call this technique “R3” for Rhythm, Repetition, and Rhyme; these are key element that the artist generally focuses on when performing this style of poetry also called performance poetry.
This is an important part about spoken word poetry, as I often see this as a common mistake amongst new poets who don’t study the art or its history and are elated to lay their vocals down on a nice melodic track and will dub it “Spoken Word”; spoken word poetry is sometimes performed with music, and sometimes without music. If a poet uses background music, it is only to enhance or compliment the poetry and to add a rhythm. The poetry itself is center stage and not the music, this is the case in any good piece of work.
host and producer of Freedom Verse Cafe
Tshombe (the Poet)
Today, Spoken Word poetry is a very general category of poetry that is meant to be both performed and to make a powerful statement. Unlike some of the Beat poets who focused mostly on the corruption of government, economic and social status, and world awareness, Spoken Word has taken a major turn which some like myself observe with a watchful eye. Spoken word has gone from just being a revolting art, but has become more interested in voicing the thoughts of love, life and still that resounding need for revolutionary thought.
All Spoken Word poetry is meant to be read aloud, but not all poetry that is read aloud is Spoken Word. Spoken word has a select few elements that are best known for identifying its class of poetry. I like to call this technique “R3” for Rhythm, Repetition, and Rhyme; these are key element that the artist generally focuses on when performing this style of poetry also called performance poetry.
This is an important part about spoken word poetry, as I often see this as a common mistake amongst new poets who don’t study the art or its history and are elated to lay their vocals down on a nice melodic track and will dub it “Spoken Word”; spoken word poetry is sometimes performed with music, and sometimes without music. If a poet uses background music, it is only to enhance or compliment the poetry and to add a rhythm. The poetry itself is center stage and not the music, this is the case in any good piece of work.
host and producer of Freedom Verse Cafe
Tshombe (the Poet)
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