The Cipher Session, what’s that about?
Tomorrow on Freedom Verse Café we’ll commence the first poetry cipher session of the season. I am truly excited about this new feature being added to the FVC dynamic. In the cipher session we are going to focus more in the discussion of poetic work while still maintaining the entertainment functionality of the show. Each cipher session will have one or two poems that will be used to guide the discussions; think of it as the ignition to the flow of the show.
So what happened to the Open Mic, Tshombe?
Now, these segments will offer an opportunity for open mic poetry, but be prepared to answer questions and receive some feedback on your work and how it relates to the flow of the discussion. Every cipher session will consist of pre-selected/invited guests who may be poets or enthusiast of spoken-word poetry who will help in facilitating the discussions and providing incite on your work. I believe that the only way for one to develop is when you have another to give reflection in guidance and thought; this is how we develop and become better than we are.
This weekend on Freedom Verse Café.
We’re looking at the works of two great poets whose work almost seem timeless at times, and can be relevant even beyond our time. The first poet/poem we will be observing is titled “G-d’s Work” by Taalam Acey a well respected and versed poet hailing from Baltimore, MD by way of New Jersey. The second poet/poem is “Black Boys to Men” by Sekou Sundiata a visionary activist, poet, and playwright who without a shadow of doubt touched many lives during his existence here on Earth. I have invited some close friends and associates to talk about the impact of these two poems and their differences in delivery style and rhythms.
Check Out the two piece we are looking at:
Join us for what is sure to be an awesome cipher. In the meantime, I took the liberty of asking Taalam a few questions, check out how he answered.
P.S. I wish that I could have asked Sekou all the questions in the world, we miss you brother/uncle.
Good morning brother Taalam,
This Saturday at 2pm EST Freedom Verse Cafe will host its first cipher session live on air before our listening audience, and in this cipher I have chosen two pieces to open our discussion; I find both pieces of work equally important and necessary for any listening audience. The pieces chose are "God's Work" by yourself, and "Black Boys to Men" by Sekou Sundiata.
I have a few questions of you before we start our cipher:
Q1. Why did you write "God's Work"?
A: I wrote it out of concern for some of the younger writers in my generation. Their work in many cases was impressive and I worried that they didn't realize the spiritual nature of poetry and that it is a gift to be able to move minds and souls with mere words. G*d's Work was meant as an acknowledgement of Spoken Words transcendental nature and an encouragement for them to continue to write from their hearts rather than for applause.
Q2. When someone listens to the piece what response/reaction are you hoping for?
A: I'm hoping the listener at least begins to understand that Spoken Word is powerful in it's simplicity; being there's no instruments other than the soul and voice of the performer. I also hope that the poets who hear it, and write from deep within, are affirmed.
Q3. What impact if any do you think poets/verbalist have in humanity?
A: Poets shine light on what people suspect is there. They give life to the subconscious thoughts of the listener. They provide validation for the ways of seeing life's events and meaning that are seldom discussed or promoted.
Q4. How do you view the works of other poets namely Sekou Sundiata one of the art's past-on messengers?
A: I am a fan of Sekou Sundiata's mastery of cadence, voice inflection and profundity such as "Longstoryshort" and "The Blue Oneness of Dreams."
Thank you and blessing,
Taalam Acey
http://www.taalamacey.com/
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About Freedom Verse Cafe
Freedom Verse Café (FVC) was created as a venue for spoken word artist in the winter of 2008 from a previous venue called "Mic Check" which began its broadcast in June of 2007. Since this venue's inception, it has gone through evolutionary processes to better accomplish its premise of promoting the art of spoken-word poetry and the artists who perform it in a major capacity, but we have also expanded to blending poetry with jazz and soul to create the ultimate experience of spoken word/poetry.
Freedom Verse is geared to promote the artists—who hit the stages, spoken-word venues, and publish their works anywhere that they can—while entertaining and educating listeners all over the world. In FVC we focus on imparting those who audience the genre of spoken-word poetry to its history, disciplines, and its potential impact on mainstream culture. This venue hopes to touch its patrons mentally and spiritually. In this we learn to appreciate the creativity, relevancy, and intentions of the artists.
FVC promotes using online broadcasting and digital downloads of mix-tapes that focuses on providing a positive form of entertainment and educational programming in poetry, jazz, and soul of artist who are destined to change the world.
1st & 3rd Saturdays of each month at 2pm EST/1pm CST
If you have any of the following:
Comments| Air Drops | Venue Announcements | Shout outs
Please call (206)338-1187 and leave a message and we'll get it on the air for FREE!
~Live Chat and Call-in Line!~ reaching more than 490,000 listeners globally, with listeners from S. Africa to Vladivostok, Russia and all across the United States to Europe.
Are a compilation of Spoken word poetry, jazz, and soul blended for the ultimate listening experience. These mixtapes are free to download and are designed to promote the artists who make it possible to provide positive music in a less positive industry. So please support the featured artists by purchasing their work and stopping by their pages and showing some love.
click image to download
also available on
Let's Talk Spoken Word | Abiodun Oyewole (The Last Poets)
Komplex | MahogonyDiva | Sekou (Tha Misfit)
Taalam Acey | Maximus Parthas | Queen Sheba
Autum Ashante | Kamal Imani | Abyss One Truth
S. Pearl Sharp | Future | Ngoma | Chenyelu Bomani
...and many others here
Freedom Verse is geared to promote the artists—who hit the stages, spoken-word venues, and publish their works anywhere that they can—while entertaining and educating listeners all over the world. In FVC we focus on imparting those who audience the genre of spoken-word poetry to its history, disciplines, and its potential impact on mainstream culture. This venue hopes to touch its patrons mentally and spiritually. In this we learn to appreciate the creativity, relevancy, and intentions of the artists.
FVC promotes using online broadcasting and digital downloads of mix-tapes that focuses on providing a positive form of entertainment and educational programming in poetry, jazz, and soul of artist who are destined to change the world.
Show Schedule
1st & 3rd Saturdays of each month at 2pm EST/1pm CST
If you have any of the following:
Comments| Air Drops | Venue Announcements | Shout outs
Please call (206)338-1187 and leave a message and we'll get it on the air for FREE!
Freedom Verse Cafe MixTapes Edition
Are a compilation of Spoken word poetry, jazz, and soul blended for the ultimate listening experience. These mixtapes are free to download and are designed to promote the artists who make it possible to provide positive music in a less positive industry. So please support the featured artists by purchasing their work and stopping by their pages and showing some love.
click image to download
also available on
Interviews
Let's Talk Spoken Word | Abiodun Oyewole (The Last Poets)
Komplex | MahogonyDiva | Sekou (Tha Misfit)
Taalam Acey | Maximus Parthas | Queen Sheba
Autum Ashante | Kamal Imani | Abyss One Truth
S. Pearl Sharp | Future | Ngoma | Chenyelu Bomani
...and many others here
What is Spoken Word?
Spoken Word poetry is a very newly revived form of poetry that has been around since the 90’s. Spoken word is a transformation from an art that began deep in the heart of what was known as the beat poet era of the ‘40s and ‘60s. These were poets who challenged mainstream politics and culture to incite mental revolutions against what I would dub as “idle conformity or assimilation” by government rule; speaking out against oppression, racism, and war. In most cases this was the only form of thought expression albeit a dangerous one regardless of the first amendment that is designed to protect all of our citizens. Spoken word as a genre has always been seen as non-musical selections like famous speeches and orations, but never as a poetic art deserving of it's on section. Even today this still is the case when you walk into a record shop or shop on iTunes you won’t find a legitimate genre for this beautiful and ageless art form. Poets today are working diligently and hard to change this mindset.
Today, Spoken Word poetry is a very general category of poetry that is meant to be both performed and to make a powerful statement. Unlike some of the Beat poets who focused mostly on the corruption of government, economic and social status, and world awareness, Spoken Word has taken a major turn which some like myself observe with a watchful eye. Spoken word has gone from just being a revolting art, but has become more interested in voicing the thoughts of love, life and still that resounding need for revolutionary thought.
All Spoken Word poetry is meant to be read aloud, but not all poetry that is read aloud is Spoken Word. Spoken word has a select few elements that are best known for identifying its class of poetry. I like to call this technique “R3” for Rhythm, Repetition, and Rhyme; these are key element that the artist generally focuses on when performing this style of poetry also called performance poetry.
This is an important part about spoken word poetry, as I often see this as a common mistake amongst new poets who don’t study the art or its history and are elated to lay their vocals down on a nice melodic track and will dub it “Spoken Word”; spoken word poetry is sometimes performed with music, and sometimes without music. If a poet uses background music, it is only to enhance or compliment the poetry and to add a rhythm. The poetry itself is center stage and not the music, this is the case in any good piece of work.
host and producer of Freedom Verse Cafe
Tshombe (the Poet)
Today, Spoken Word poetry is a very general category of poetry that is meant to be both performed and to make a powerful statement. Unlike some of the Beat poets who focused mostly on the corruption of government, economic and social status, and world awareness, Spoken Word has taken a major turn which some like myself observe with a watchful eye. Spoken word has gone from just being a revolting art, but has become more interested in voicing the thoughts of love, life and still that resounding need for revolutionary thought.
All Spoken Word poetry is meant to be read aloud, but not all poetry that is read aloud is Spoken Word. Spoken word has a select few elements that are best known for identifying its class of poetry. I like to call this technique “R3” for Rhythm, Repetition, and Rhyme; these are key element that the artist generally focuses on when performing this style of poetry also called performance poetry.
This is an important part about spoken word poetry, as I often see this as a common mistake amongst new poets who don’t study the art or its history and are elated to lay their vocals down on a nice melodic track and will dub it “Spoken Word”; spoken word poetry is sometimes performed with music, and sometimes without music. If a poet uses background music, it is only to enhance or compliment the poetry and to add a rhythm. The poetry itself is center stage and not the music, this is the case in any good piece of work.
host and producer of Freedom Verse Cafe
Tshombe (the Poet)
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One comment
Comment by Anonymous on October 17, 2009 at 7:53 AM
This is my favorite poem my Taalam, and it is not doubt a very good example of a timeless piece! Time meaning, unlimited, uncensored, and not limited to a specfic generation, but invited to be understood by all generations to come.
U'Nek